Pietro Aretino and his Sixteen Postures, 1524
The career break of Pietro Aretino (1492-1556) came when
he wrote a mock last will and testament in 1516 for Pope Leo
X's pet elephant, Hanno, complete with bequeathing the beast's
genitals to one of the lustier cardinals. From then on, he
became infamous in Italy as one of the lewdest and wittiest
writers, the Renaissance mouth that roared.
In 1524, Aretino wrote sonnets to accompany the drawings
of sixteen sexual positions by Giuliano Romano, Raphael's
talented twenty-five-year-old pupil. Their collaboration produced
one of history's most notorious works of erotic art.
Casanova in his memoirs mentions spending New Year's Eve
1753 with a nun doing Aretino's "straight tree" position,
which he says featured the man standing and holding the woman
upside-down for mutual oral sex.
Aretino barely escaped prison for his involvement in the
Sixteen Postures, but it certainly didn't teach him to
mend his ways.
~ from History
Laid Bare, by Richard Zachs
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The image on the right by Giulio Romano (engraved by Marcantonio
Raimondi) is supposed to be the only surviving image from
the original "I MODI" collection. And so the images that follow
are ones that directly take after the lost engravings. Since
they first appeared in 1524 many artists have sought to recapture
the classic decadence of the originals, and the images that
follow are a choice sampling.
Aretino's "Sonnetti Lussuriosi" were composed after he first
viewed Giulio Romano's drawings, and were later compiled into
a printed edition with Raimondi's splendid engravings. All
except a very few copies of this book were promptly burned
by the Church. No surviving complete copy is known to exist.
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counterfeit woodcut
inspired
by raimondi engraving 1527
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SHE:
My legs are wrapped around you neck,
Your cazzo's in my cul, in pushes and
thrashes!
I was in bed, but now I'm on this chest.
What extreme pleasure you're giving me!
But lift me onto the bed again: down here,
My head hung low, you'll do me in.
The pain's worse than birth-pangs or
shitting.
Cruel love, what have you reduced me
to?
HE:
What are you going to do?
SHE:
Whatever you like.
HE:
Give me your tongue a little, darling.
Reward who served you silently and well.
SHE:
The potta will want its share of pleasure,
Otherwise potta and cul will stay at
war.
Push harder, your cazzo's slipping out.
If I had had to wait
One minute longer for release,
I swear I would have died, sweetheart.
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agostino carracci,
late 16th century
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SHE:
I want this cazzo, not a treasure,
This is what can make one happy.
This cazzo would suit an Empress.
This jewel's worth more than a goldmine.
Woe is me, help me, cazzo, I'm dying,
May your lust reach to my very gut!
Truly, to deal properly with a potta
A little cazzo is hardly suitable.
HE:
Milady, those are truthful words:
Whoever has a small cazzo and dares
To fottere in the potta deserves icy enemas.
The poorly endowed should always use the culo,
But those like me blessed with ruthless
organs
Should thrash continually around in potte.
SHE:
Agreed,
yet since it keeps us jaunty,
Women lust greedily for cazzi:
We'd take that spire in front and in the back.
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agostino carracci,
late 16th century
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HE:
Open your thighs so I can look straight
At your beautiful culo and potta before
my face
Paradisiacal culo to be enjoyed,
Potta that melts hearts through the kidneys.
While I contemplate these things,
Suddenly I desire to kiss you, and I seem
To myself more handsome than Narcissus
In the morror that keeps my cazzo erect.
PROCURESS:
Ah, shameless pair! I spy you
On that mattress pulled down to the floor.
You whore, you'd better defend yourself.
I'm going to break a rib or two!
SHE:
Shit on you, syphilis-ridden hag!
In order to enjoy this superb pleasure
I'd throw myself into a well.
I'm
greedier
For a noble cazzo than bees are for flowers.
Even just looking at it tickles me.
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agostino carracci,
late 16th century
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You little prick! Don't keep pulling the cart.
Cupid, you bastard, stop it!
I want to fottere her in the potta not
the culo.
she lets the cazzo slip and makes me laugh.
Forced to lean on my arms and legs,
O curse you for this clumsy position.
A mule would conk over after an hour of
it.
That's why you hear me farting thunderously.
As for you, Beatrice, if you're uncomfortable,
Forgive me. You ought to be able to tell
How this crazy posture is killing me.
If I didn't mirror myself in your ass,
Lifted up, as I am, on both my arms,
We'd never get to the end of this act.
O
milky, rosy culo,
If I didn't gaze voluptuously at you,
My cazzo would hardly stand up straight.
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HE:
It would be a dumb-ass thing to do,
If I were allowed to fottere you,
To place my cazzo in your potta,
Choosing that instead of the rear end.
May my lineage die out with me!
I'd like to fottere you back there many
times,
Since the round part's different from
the slash
As malmsey from watered-down wine.
SHE:
Fottere me, do whatever you want
In the potta and cul -- it's all the same
to me
Where you do what you have to do.
In both the potta and cul I'm aflame:
All the mules, asses, and oxen in the
world
With their cazzi could not cool my lust.
In
any case you'd cut a poor figure
Doing it the old-fashioned way.
If I were a man, I'd never want potta.
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anonymous,
late 19h century
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anonymous,
late 19h century
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anonymous,
late 19h century
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Aretino dedicated the Sedici
Modi to a doctor friend, Battista Zatti of Brescia:
"I dedicate this lewd memorial to you, and let the hypocrites
take a flying leap; I'm sick of their thieving justice and
their filthy traditions that forbid the eyes to see what
most delights them. What harm is there in seeing a man mounted
atop a woman? Must beasts be more free than we are? It seems
to me that the organ given us by Nature to perpetuate our
race should be worn around the neck like a pendant or as
a medallion on a hat, because it is the source that feeds
the rivers of mankind ...
"It has made you who ranks among the greatest living doctors.
It has created me, who is 'better than bread' [i.e., good
as gold]. It has produced the Bembos, the Molzas, the Fortunios,
the Francos, the Varchis, the Ugolino Martellis, the Lorenzo
Lenzi, the Dolces, the Fra Bastianos, the Sansovinos, the
Titians, the Michelangelos, and after them, the popes, the
emperors, and the kings; it has fathered beautiful little
children and the most exquisite women with their 'holy of
holies.'
"Therefore we should set aside holidays for it and sacred
vigils and feast days, and not just wrap it up in a bit
of cloth or silk. The hands might be better hidden because
they gamble, swear falsely, commit usury, give the finger,
rip, yank, punch, wound, and murder. And what do you think
of the mouth, which curses, spits in your face, overeats,
gets drunk, and vomits? In sum, lawyers could win some honor
for themselves if they would add a clause for it in their
books, and I think they will. In the meantime, try to decide
whether my verses have accurately captured the positions
of the jousters."
~ from History
Laid Bare, by Richard Zachs
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